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The Avant Garde : A Very Short Introduction / David Cottington. - Oxford : Oxford University Press, 2013. - XII, 136 stron : ilustracje ; 18 cm.

(Very Short Introduction ; 342)

Autor

Cottington, David.

Forma i typ

Książki Publikacje popularnonaukowe

Przynależność kulturowa

Literatura angielska

Temat

Awangarda (kierunek artystyczno-literacki)

Gatunek

Wydawnictwa popularne

Index na stronach 131-136.

For over a hundred years, the idea of the "avant-garde" has been perhaps the most important and influential force in modern culture, ruling the critical assessment of the significance of an artist or a work of art. If they have been judged to be "avant-garde," then they are worthy of consideration. But very little attempt has been made to explore why the idea of the "avant-garde" carries so much authority, or how it came to do so. What is more, the term remains a difficult one to define, and is often used in a variety of ways. In this Very Short Introduction, art historian David Cottington illuminates the concept of the avant-garde, exploring its wider context through the development of western modernity, capitalist culture, and the global impact of both. Cottington looks at the relation between "the avant-garde"--that is, the social entity (the "club")--and "avant-garde" qualities in a work of art (or design, or architecture, or any other cultural product), and he sheds light on the meaning of "avant-gardism." Perhaps most interesting, he considers whether--now that contemporary art seems to have broken all taboos and is at the center of a billion-dollar art market--is there still an "avant-garde" at all. And if so, what is the point of it and who are the artists concerned?

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Modern Art : A Very Short Introduction / David Cottington. - Oxford ; New York : Oxford University Press, 2005. - X, 152 strony : ilustracje ; 18 cm.

(Very Short Introduction ; 120)

Autor

Cottington, David.

Temat

Język angielski Modernizm

Gatunek

Wydawnictwa popularne

Index s. 147-152.

As public interest in modern art continues to grow, as witnessed by the spectacular success of Tate Modern and the Bilbao Guggenheim, there is a real need for a book that will engage general readers, offering them not only information and ideas about modern art, but also explaining its contemporary relevance and history. This book achieves all this and focuses on interrogating the idea of 'modern' art by asking such questions as: What has made a work of art qualify as modern (or fail to)? How has this selection been made? What is the relationship between modern and contemporary art? Is 'postmodernist' art no longer modern, or just no longer modernist - in either case, why, and what does this claim mean, both for art and the idea of 'the modern'? Cottington examines many key aspects of this subject, including the issue of controversy in modern art, from Manet's Dejeuner sur L'Herbe (1863) to Picasso's Les Demoiselles, and Tracey Emin's Bed, (1999); and the role of the dealer from the main Cubist art dealer Kahnweiler to Charles Saatchi.

dostępna do wypożyczenia

1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.

Dembowskiego 12 (W131)

Są egzemplarze dostępne do wypożyczenia: sygn. 7.035 (1 egz.)