Orgel, Stephen
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8 wyników Filtruj
Książka
W koszyku
(Oxford World's Classics - Oxford University Press)
Index na stronach 963-966.
Na okładce: Cover illustration: detail from Fall of the Rebel Angels, by Andrea Commodi.
Zawiera: Zawiera: Paradise Lost.
Milton's influence on English poetry and criticism has been incalculable, and this edition covers the full range of his poetic and political output. It includes Paradise Lost, Paradise Regained, and Samson Agonistes as well as major prose works such as Areopagitica and The Tenure of Kings and Magistrates. As well as all the English and Italian verse, the volume includes most of the Latin and Greek verse in parallel translation. Spelling has been modernized, and the poems are arranged in order of publication, essential to an understanding of the progress of Milton's career in relation to the political and religious upheavals of his time. The extensive notes cover syntax, vocabulary, historical context, and biblical and classical allusions. The introduction traces both Milton's changing conception of his own vocation, and the critical reception his work has received over the past four centuries.
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Dembowskiego 12 (W131)
Są egzemplarze dostępne do wypożyczenia: sygn. 821-82 ang. W. (1 egz.)
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Oxford World's Classics / Oxford University Press
Na okł.: Cover illustration: detail from The Creation of Light, by George Richmond.
From almost the moment of its first publication in 1667, Paradise Lost was considered a classic. It is difficult now to appreciate both how audacious an undertaking it represents, and how astonishing its immediate and continued success was. Over the course of twelve books Milton wrote an epic poem that would 'justify the ways of God to men', a mission that required a complex drama whose source is both historical and deeply personal. The struggle for ascendancy between God and Satan is played out across hell, heaven, and earth but the consequences of the Fall are all too humanly tragic - pride, ambition, and aspiration the motivating forces. In this new edition derived from their acclaimed Oxford Authors text, Stephen Orgel and Jonathan Goldberg discuss the complexity of Milton's poem in a new introduction, and on-page notes explain its language and allusions.
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Dembowskiego 12 (W131)
Są egzemplarze dostępne do wypożyczenia: sygn. 821-1 ang. (1 egz.)
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The Tempest / William Shakespeare ; Edited by Stephen Orgel. - Oxford ; New York : Oxford University Press, 2008. - X, 248 stron : ilustracje, fotografie, nuty ; 20 cm.
(Oxford World's Classics - Oxford University Press)
(The Oxford Shakespeare)
Zawiera indeks (s. 245-248), nuty (s. 223-226).
Performed variously as escapist fantasy, celebratory fiction, and political allegory, "The Tempest" is one of the plays in which Shakespeare's genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright's most penetrating statement about his art. Stephen Orgel's wide-ranging introduction examines changing attitudes to this play, and reassesses the evidence behind the various readings. He focuses on key characters and their roles and relationships, as well as on the dramatic, historical, and political context, finding the play to be both more open and more historically determined than traditional views have allowed.
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Dembowskiego 12 (W131)
Są egzemplarze dostępne do wypożyczenia: sygn. 821-2 ang. (1 egz.)
Książka
W koszyku
The Winter's Tale / William Shakespeare ; Edited by Stephen Orgel. - Oxford ; New York : Oxford University Press, 2008. - VIII, 295 stron : ilustracje, fotografie, nuty ; 20 cm.
(Oxford World's Classics - Oxford University Press)
(The Oxford Shakespeare)
Zawiera indeks (s. 285-295), nuty (s. 275-283).
This is Shakespeare's most perfectly realized tragicomedy, as notable for its tragic intensity as for its comic grace and, throughout, for the richness and complexity of its poetry. It concludes, moreover, with the most daring and moving reconciliation scene in all Shakespeare's plays. Though the title may suggest an escapist fantasy, recent criticism has seen in the play a profoundly realist psychology and a powerful commentary on the violence implicit in family relationships and deep, longlasting friendships. Stephen Orgel's edition considers the play in relation to Renaissance conceptions of both dramatic genre and the family, traces the changing critical and theatrical attitudes towards it, and places its psychological and dramatic conflicts within the Jacobean cultural and political context. The commentary pays special attention to the play's linguistic complexity, and the edition also includes a complete reprint of Shakespeare's source, "Pandosto", by Robert Greene.
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Dembowskiego 12 (W131)
Są egzemplarze dostępne do wypożyczenia: sygn. 821-2 ang. (1 egz.)
Książka
W koszyku
(Oxford World's Classics - Oxford University Press)
When it appeared in 1874, Lady Anna met with little success, and positively outraged the conservative - `This is the sort of thing the reading public will never stand...a man must be embittered by some violent present exasperation who can like such disruptions of social order as this.' (Saturday Review) - although Trollope himself considered it `the best novel I ever wrote! Very much! Quite far away above all others!!!' This tightly constructed and passionate study of enforced marriage in the world of Radical politics and social inequality, records the lifelong attempt of Countess Lovel to justify her claim to her title, and her daughter Anna's legitimacy, after her husband announces that he already has a wife. However, mother and daughter are driven apart when Anna defies her mother's wish that she marry her cousin, heir to her father's title, and falls in love with journeyman tailor and young Radical Daniel Thwaite. The outcome is never in doubt, but Trollope's ambivalence on the question is profound, and the novel both intense and powerful.
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Dembowskiego 12 (W131)
Są egzemplarze dostępne do wypożyczenia: sygn. 821-3 ang. PO. (1 egz.)
Książka
W koszyku
Oxford World's Classics / Oxford University Press
The Age of Innocence, Edith Wharton's most famous novel, is a love story, written immediately after the end of the First World War. It's brilliant anatomization of the snobbery and hypocrisy of the wealthy elite of New York society in the 1870s made it an instant classic, and it won the Pulitzer Prize in 1921. Newland Archer, Wharton's protagonist, charming, tactful, enlightened, is a thorough product of this society; he accepts its standards and abides by its rules but he also recognizes its limitations. His engagement to the impeccable May Welland assures him of a safe and conventional future, until the arrival of May's cousin Ellen Olenska. Independent, free-thinking, scandalously separated from her husband, Ellen forces Archer to question the values and assumptions of his narrow world. As their love for each other grows, Archer has to decide where his ultimate loyalty lies. Stephen Orgel's introduction and notes set the novel in the context of the period and discusses Wharton's skilfull weaving of characters and plot, her anthropological exactitude, and the novel's autobiographical overtones.
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ZWM 5 (W45)
Wszystkie egzemplarze są obecnie wypożyczone: sygn. 821-3 amer. L.O. (1 egz.)
Fanfarowa 19 (BD11)
Są egzemplarze dostępne do wypożyczenia: sygn. IV (1 egz.)
Książka
W koszyku
(Oxford World's Classics - Oxford University Press)
Newland Archer saw little to envy in the marriages of his friends, yet he prided himself that in May Welland he had found the companion of his needs--tender and impressionable, with equal purity of mind and manners. The engagement was announced discreetly, but all of New York society was soon privy to this most perfect match, a union of families and circumstances cemented by affection. Enter Countess Olenska, a woman of quick wit sharpened by experience, not afraid to flout convention and determined to find freedom in divorce. Against his judgment, Newland is drawn to the socially ostracized Ellen Olenska, who opens his eyes and has the power to make him feel. He knows that in sweet-tempered May, he can expect stability and the steadying comfort of duty. But what new worlds could he discover with Ellen? Written with elegance and wry precision, Edith Wharton's Pulitzer Prize-winning masterpiece is a tragic love story and a powerful homily about the perils of a perfect marriage.
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Dembowskiego 12 (W131)
Są egzemplarze dostępne do wypożyczenia: sygn. 821-3 amer. PO. (1 egz.)
Książka
W koszyku
(Oxford World's Classics - Oxford University Press)
Edith Wharton's satiric anatomy of American society in the first decade of the twentieth century appeared in 1913; it both appalled and fascinated its first reviewers, and established her as a major novelist. The Saturday Review wrote that she had "assembled as many detestable people as it is possible to pack between the covers of a six-hundred page novel," but concluded that the book was "brilliantly written," and "should be read as a parable." It follows the career of Undine Spragg, recently arrived in New York from the Midwest and determined to conquer high society. Glamorous, selfish, mercenary and manipulative, her principal assets are her striking beauty, her tenacity, and her father's money. With her sights set on an advantageous marriage, Undine pursues her schemes in a world of shifting values, where triumph is swiftly followed by disillusion. Wharton was recreating an environment she knew intimately, and Undine's education for social success is chronicled in meticulous detail. The novel superbly captures the world of post-Civil War America, as ruthless in its social ambitions as in its business and politics.
1 placówka posiada w zbiorach tę pozycję. Rozwiń informację, by zobaczyć szczegóły.
Dembowskiego 12 (W131)
Są egzemplarze dostępne do wypożyczenia: sygn. 821-3 amer. PO. (1 egz.)
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